Ask any young person today if they know what vaude­ville is and the closest they might come is to guess it’s a new online website or game. Thanks to Alan Schroeder’s newest picture book, Baby Flo, they’ll wonder no more. Some might question why Schroeder thought that a child’s eye view into the life of Flo­rence Mills would be a perfect fit for a picture book; I, for one, think it’s genius.

Flo­rence Mills was a bright and shining star of dance and song for most of the thirty-​​one years of her short life which began in Wash­ington, D.C,. in 1896 and ended as a legend of the American stage in 1927. It was a hard road to vaude­ville stardom from Goat Alley, one of D.C.‘s poorest neigh­bor­hoods, espe­cially when you read that she began her career at the age of three! Now you can begin to under­stand why Schroeder wrote the story of this African American star as a picture book. In today’s world of talent-​​scouting tele­vision pro­grams, little Flo­rence Mills would have been a natural. America’s had talent for a long time.

Flo’s first public singing was an impromptu per­for­mance for the butchers at a local store, where she was rewarded with more money than her mother made as a laundry woman ($3.85). This scene is cap­tured by the lively illus­tra­tions of Cor­nelius Van Wright and Ying-​​Hwa Hu. Between the story itself, the illus­tra­tions that almost seem to dance off the page, and Schroeder’s nar­rative which cap­tures the cadence and rhythm of little Flo­rence Mills, this is a book that can be appre­ciated by children, parents, grand­parents and anyone else with a ready lap and child nearby.

Early vaude­ville and the the­aters of Harlem are a rich vein of America’s enter­tainment history, cap­turing the eco­nomic and social struggles of those times and their singers, dancers, musi­cians, and com­posers. For African American per­formers, the struggle was harder than most, but as Schroeder writes in the first sen­tence of his book, “Straight up: Flo­rence was a remarkable child, and that’s a fact.” Baby Flo and its story of one little girl’s success, will give heart and encour­agement to every small child who likes nothing better than to sing and dance. Flo­rence per­formed both in America and Europe and her verve and talent paved the way for all African American per­formers to follow.

As in all of Schroeder’s picture books about his­torical figures, he com­pletes his story with Author Notes, sharing the rest of Florence’s story after her early years to the last per­forming years of her life. If you have the good fortune to buy or borrow the book from your local library, have some prep fun by going to http://​www​.flo​rencemills​.com/, it will whet your appetite for Baby Flo and make you wonder why Schroeder didn’t write this book before now (and how many other stories are out there, waiting to be redis­covered and retold).       -s.s.

Also written by Alan Schroeder is In Her Hands: The Story of Sculptor Augusta Savage. This book is also available and has been reviewed on Bookin’ with Sunny.

Buy Baby Flo: Flo­rence Mills Lights Up the Stage locally or look online at Amazon​.com, Powell’s Books, or through an IndieBound book­store.

 

 

 

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